Rigatti/ I Disinvolti/ Lombardi - Vespro Della Beata VergineTwo young Italian ensembles join forces to revive a Vespers setting of the Venetian school dating from the year of Monteverdi's death. Regarded by musicologists as one of the leading Italian composers of the early seventeenth century, Giovanni Antonio Rigatti pursued the major part of his musical career in Venice, in the shadow of the 'divine Claudio'. The framework of this Vespro is taken from the 1643 collection Messa e Salmi ariosi a tre voci. The

more than 200 years later

whose originality can still fascinate us nearly two centuries after his death: it illustrates the diversity of the instrumental genres he tackled (sonatas

' and Charlie Rich's 'Feel Like Going Home' - and others from Ed Bruce and Lee Hazlewood

It's time to love

most recently the Gewandhaus zu Leipzig

Cage/ Reich/ Varese/ Pintscher - New York

The production is equally crunchy and fascinating

featuring the original artwork by Wilfred Limonious

this was still the hand horn (Waldhorn)

wreck the underground nature of this scene

indeed Louis-Noël Bestion de Camboulas wishes to highlight scores that have never been released since the 18th century

this did not prevent him from pursuing his own path