Yanyun Chen: Languid tides (2022)Hardground etching and spit bite aquatint on paper Unframed: 29 x 26 cm Edition of 100, 10AP

Lim observed the same points

Experiment with chine collé layering techniques and its expressive potential

Heng’s intimations of humanity’s connectedness within shared spaces and with each other

Informed by historical

Jenny Holzer

Characterised by saturated neon colours and evocative organic shapes

For over 20 years

” Upadhyay’s monumental works astound with their innovative installment of structures made from Chinese wood puzzles and application of clay onto STPI handmade paper

Includes text by Diana Fong

including painting

We Don’t Recognise What We Don’t See is a visceral experience provocatively designed to engage the mind and senses

In bringing his unusual